Art historian

She studied Art History at the Università degli Studi di Roma Tre (Laurea in 2005) and then she had an internship in the Louvre Museum (2005). She got her PhD with a thesis on the baroque painter Guillaume Courtois (Dissertation in 2011) and afterwards she was a part of the PRIN 2008 project regarding “The archeological restoration during the foundation of the first National Museums”. She worked as a technical and scientific secretary of Carlo Saraceni exhibit (Rome 2013-2014) in the Soprintendenza del Polo Museale Romano (2011-2012).

In 2014 she received a research fellowship from the Fondazione 1563 per l’Arte e la Cultura in Turin (2014) with a project research on “The value of the copy in the French Academy of Art (1666-1699)”, and she was lecturer in seminars and workshops arranged by the same Institution. She works as a scientific coordinator of the international conference in the FIRB 2013 project on “Gli Orsini e i Savelli nella Roma dei Papi” (2016).

She combined the academic activity as Professor Assistant (Università degli Studi di Roma Tre; Università “G.d’Annunzio” di Chieti-Pescara) together with articles and essays about the Roman Baroque Art, Canonization Artistic production, and the Academic copy, whose results had been presented also in international conferences (Paris, 2009; Mendrisio, 2013).